11/14/2022 0 Comments Mo money mo problems album![]() ![]() I brought it up to Elliot that I wanted to drop songs as an artist under Internet Money-just my favorite artists working together and putting songs together, like some DJ Khaled type shit. Taz Taylor: We finalized our deal with 10K Projects in like August or September of last year, but we had already been talking about an album for a minute. When did you decide you wanted to make an album? "We did the whole album in a month, top to bottom: features, big artists, beats, everything." - Taz Taylor I just feel like the whole motive shifted, and everybody's focused on trying to build the next Interscope or the next Atlantic Records or the next Republic. We're working with the artists we've always wanted to work with. We can't go a month now without having some crazy shit happen. We got to the top of the beat-making game online, and it's like, "Well, we've got to go up from here, so what are we going to do?" Then I got a publishing deal and Nick got the XXXTentacion placement with "Fuck Love." Juice popped off. We never cared about what placements we were getting or anything like that. We were all "type" beat producers, just selling drum kits and beats online. Taz Taylor: When we first started it, we didn't even care about the music industry in general. How has Internet Money evolved and changed since you started it? Like, Dre and everybody used to be really be hands-on with music, and develop artists, and just craft records. I think it's a real '90s way of doing it. Lil Tecca and Juice WRLD are not even the same type of artists. We're turning out all these different types of artists in different genres. We don't care how many followers they have, what they look like, or whatever. We take artists and build them up from nothing. There are a lot of artists who are getting signed, but labels don't necessarily care about them. Taz Taylor: Overall, we just brought more development. When you started Internet Money, what did you bring to the industry that was missing? We were the ones who kind of built their sounds and gave everybody their first hit records, then developed them throughout their careers. We broke Juice WRLD, Lil Tecca, Iann Dior, Trevor Daniel, and a bunch of other artists. We develop artists that are signed to other labels, too. It's also a management company and a label, and we have artists and producers signed to us. Taz Taylor: It's a collective of producers and artists. Don Toliver, Gunna & Navįor people who don't know, what is Internet Money? Continue for a first look at the album's tracklist and cover artwork, followed by the interview.Ġ2. We hopped on the phone with Taz Taylor and Nick Mira for a conversation about how the album came together, where the music industry is heading, the current state of the "type" beat game, Juice WRLD's legacy, and more. Having accomplished many of their early goals, and recently partnering with Elliot Grainge's 10K Projects, Taz Taylor and the Internet Money team came up with a new challenge for themselves: make an album of their own. Meanwhile, Internet Money producer Nick Mira has become a juggernaut in his own right, earning credits on many of Juice WRLD's biggest hits, as well as placements with Trippie Redd, Post Malone, Young Thug, Lil Uzi Vert, Lil Tecca, Polo G, and more. The collective's founder, Taz Taylor, speaks proudly about their track record of plucking artists from relative obscurity and putting in the time to develop them into stars who put up ungodly streaming numbers. The majority of Internet Money's members live together in a Los Angeles house, and they throw around words like "family" and "brothers" when they talk about each other. What began as a loose collective of producers selling "type" beats on YouTube grew into a music industry powerhouse that helped break stars like Juice WRLD and Lil Tecca, racking up dozens of Billboard hits and platinum plaques in the process. ![]()
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